青年中文Bonnard的意思
Bonnard中文翻譯：
勃納爾（人名）
bonded labor───抵債勞工（指被雇主或債權人強迫勞動以償還債務的工人）；抵債勞動（指被雇主或債權人強迫勞動以償還債務）
bubonic plaque───腺鼠疫
broken bone───骨折；斷骨
decarbonization usa───美國脫碳
pelvis bone───骨盆骨
bondsman near me 06082───我附近的擔保人06082
bondar law───邦達定律
carbonation inflation deluxe───碳化膨脹豪華型
bonfires la───洛杉磯篝火
bonaparte aide───波拿巴助手
of the romantic artist in a garret about Bonnard. He appeared to live a bourgeois life.───無憂的浪漫藝術家，僅過著中產階級的生活。
I HAVE all my subjects to hand", Pierre Bonnard, a French post-impressionist painter, once wrote.───我手頭上有全部素材”，法國后印象主義畫家皮埃爾·波納爾曾經寫到。
In love one has need of being believe in, in friendship of being understood. -abel Bonnard.───在愛情上人們需要的是信任，在友情上人們需要的是理解。——埃布爾·伯納德。
Pierre Bonnard was born into the family of a well-to-do official of the War Ministry, who wanted his son to become a lawyer.───彼埃爾·博納爾出生于一個富裕的“作戰部”官員的家庭，他家希望兒子當一名律師。
In his old age, Bonnard returned to a youthful exuberance of dazzlIng light and colour, producIng compositions of exquisite taste.───博納爾在他的晚年又恢復了充滿耀眼光線和色彩的青春活力，創作出格調高雅的作品。
In any case, Bonnard painted many fine landscapes after this, and a number of much-loved bathers. Where are they?───無論如何，博納爾在此之后還創作了不少風景畫，很多惹人喜愛的游泳者，它們存放在哪里呢？
By the late 1890s Bonnard's artistic idiom began to assume new features.───到1890年代后期，博納爾的藝術風格開始呈現出新的面貌。
There was nothing of the romantic artist in a garret about Bonnard.───博納爾并非那種閣樓浪漫藝術家，他生活得還有幾分庸俗。
In love one has need of being believe, in friendship of being understood. ---Abel Bonnard, French poet.───愛情需要信任，友情需要理解。---阿貝爾.伯納德，法國詩人。
You can get a fine Bonnard print for ￡2,500; a Pissarro for less than ￡7,000.
Shunning law - lessons, Bonnard attended the Academic Julian and in 1888 entered the Ecole des Beaux - Arts.
When he began to paint, during the Occupation, he had looked to Matisse and Bonnard.
"Gypsy Dancing, " a dim sepia 1901 photograph by the painter Pierre Bonnard — remarkable just because of who took the picture — catches the easy arc of a dancer's arm.
In October 1888 Bonnard joined up with Vuillard, Roussel, Denis , who called themselves the Nabis.
Traditional art history would include Bonnard for his technical innovations and largely marginalise Rodchenko for his politics and photography.
Sir Bryan himself had broken the news to Stephen Bonnard.
Neither Vuillard nor Bonnard, with whom he shared a studio, actually copied photographs in their resonant, small-scale paintings of domestic interiors.